Saturday, September 14, 2019

Behind the Scenes: Two More Illustrations from Shark Patrol!

I just uploaded two new videos showing my illustration process for the book Shark Patrol, written by Ron Hirschi and released this year from Mutual Publishing.

And stay tuned for information about my upcoming book signings in November, just in time for Christmas!


Tuesday, August 27, 2019

Saturday, August 31, 2019: HILO BOOKSIGNING!

Meet Children's Book Author/Illustrator

Tammy Yee

Sat, August 31, 1-3pm
at Basically Books
1672 Kamehameha Avenue, Hilo, Hawaii

Reading • Book Signing • Drawing Demo


Let's have fun! Join me this Saturday at 1pm at Basically Books in my favorite small town, Hilo! I'll be signing books, reading "The Castle that Kai Built," and more! Rumor has it that I'll do some sketching. And I'll bring my iPad, so I can show you how my illustrations for Kai were made.

Behind the Scenes: Illustrating "Shark Patrol"



Written by Ron Hirschi, illustrated by Tammy Yee
Mutual Publishing, 2019


Illustrating Shark Patrol, A Discovery Adventure in Hawai'i presented a unique and fun challenge: how to incorporate author Ron Hirschi's fact-filled lively text and rich illustrations into an 8" x 9" 32-page format.

Working with Ron and Mutual Publishing editor Jane Gillespie, we gave this story of young explorers Kai and Lehua, as told through mail correspondence, a fresh update by having the characters post their adventures on social media via Shark Grams. 

Shark facts were personalized by presenting them as journal entries made by the budding scientists...something that I did as a child pretending to be a researcher aboard Jacques Cousteau's famous vessel, the Calypso. Other devices included photos taken by the crew and Post-it notes from the desk of the ship's biologist, Auntie Jan.

Here's a sketch of the layout. Each character has an avatar for their Shark Gram. And social media is no fun without emojis!



Another idea derived from my nerdy childhood was to use the endpapers to illustrate the relative size of sharks as compared to Kai and Lehua.



Growing up in Hawaii, you'd think I'd know a little about sharks--but there was much to learn! Threshers and great whites, blacktips versus whitetip oceanics (not to be confused with whitetip reef sharks)--so many sharks! This meant a lot of research and a lot of sketching.



My favorites were the deep-sea sharks. Did you know that Hawaii has two bioluminescent (glow-in-the-dark) lanternsharks? One was recently discovered in 2017. 


The final illustrations were done in Procreate on an iPad Pro, which allowed me to record the illustration process.



And the best fun is receiving a box in the mail and seeing the book for the first time!



For more information about Shark Patrol, visit Mutual Publishing. And stay tuned...more videos from the creation of Shark Patrol will be posted on my YouTube channel, https://www.youtube.com/channel/UCnNilsL1o_gI_SReou04B9A

Saturday, July 20, 2019

Behind the Scenes: The Making of "River Rescue"


River Rescue

Written by Jennifer Keats Curtis, illustrated by Tammy Yee
Arbordale Publishing, 2019


NOAA Infographic: 10 Years
After Delaware River Oil Spill
When my copies of River Rescue arrived in the mail, I immediately flipped to the educational content at the end of the book. As an illustrator, I am sometimes asked to create spot illustrations for the back matter, but rarely do I see it in its entirety before publication. Checking River Rescue's back matter satisfied my need to learn more about a topic that I spent many months researching and illustrating: the rescue and rehabilitation of birds impacted by oil spills. And the lesson plans that Arbordale provides on their website as a supplement for parents and teachers was icing on the cake. 

So how does a Hawaii-based illustrator work on a book about rescuing oiled birds? With lots of help from the author, editors, and expert Lisa Smith at Tri-State Bird Rescue and Research

Before working on River Rescue, I knew little about the havoc that oil spills can wreak on our nation's waterways. Then I learned about the 2004 oil spill on the Delaware River (see inset). While transporting oil to a Philadelphia refinery, the tanker Athos I struck a submerged anchor and leaked more than 250,000 gallons of heavy oil into one of the busiest shipping complexes in North America. Thousands of birds were killed, and the incident had lasting effects on the environment.

But the study of the effect that oil spills have on wildlife began long before the Athos I accident. 

On the day after Christmas in 1976, a tanker ran aground on the Delaware River. 134,000 gallons of oil spilled out of the ruptured hull, creating a 25-mile-long slick that threatened 60,000 ducks and geese. "As a result, Tri-State Bird Rescue and Research was founded in 1977 to study the effects of oil on birds and to find a way to successfully treat wildlife."

My first task in illustrating River Rescue was to learn more about river habitats and the birds, insects, reptiles, and fish that inhabit them, and to make sketches. I asked myself, what birds lived along the riverbanks? Were they migratory? What did they eat? How did they co-exist with other river inhabitants? Lisa Smith from Tri-State helped me along the way, making suggestions and corrections.




Next, I researched how experts rescued oil-contaminated birds. How did they hold the frightened animals? Did they wear protective clothing? What did the rescue facilities look like? Every detail, down to the gloves and goggles, was scrutinized.





The cover took several drafts.



Once the rough sketches were approved, the illustrations were completed in Procreate on an iPad Pro. I imported textured backgrounds and used brushes to make the digital illustrations look more traditional. Procreate also allowed me to take videos of the works in progress:


I hope you enjoy River Rescue as much as I enjoyed illustrating it! For more information, please visit Arbordale Publishing.

Lala enjoys receiving books as much as I do.
In Spanish, too!

Tuesday, June 11, 2019

Behind the Scenes 2: "A True Princess of Hawaii"

A video of my keynote presentation on the making of "A True Princess of Hawaii," written by Beth Greenway, illustrated by me. Arbordale Publishing, 2017.

Sorry, no audio, just the keynote slides depicting research photos of old Hilo Bay, the 1880-1881 Mauna Loa eruption, Princess Ruth, and how I draft and revise my illustrations.


Saturday, June 1, 2019

Behind the Scenes: Illustrating "A True Princess of Hawaii"

A True Princess of Hawai'i

Written by Beth Greenway, illustrated by Tammy Yee
Arbordale Publishing, 2017

Years ago, I lived in Kaumana, six miles above Hilo town on the island of Hawai'i. Many of the homes were built on the remnants of the 1881 Mauna Loa eruption featured in the book, "A True Princess of Hawai'i." Evidence of the eruption was everywhere. Lava rock walls bordered tiny gardens, and black pahoehoe lava peaked through the grass, ferns and 'ōhiʻa trees. Nearby was Kaumana Cave, part of a miles-long lava tube that was formed during the eruption. It was the perfect place to raise two young sons!

Since then, I have been fascinated with the story of Princess Ruth's intervention to save Hilo from Pele's destruction. So I was thrilled to work with Arbordale Publishing on A True Princess of Hawai'i. Their team is devoted to creating books that encourage kids to explore, and their website features lesson plans and activities to supplement learning.


Research
Princess Ruth Ke'elikolani
I poured through the Bishop Museum and Hawai'i State Archives for photos of Hilo in the 1880s. What did people wear? Where did they live? What kind of ships the bay? And most importantly, what did the lava flow look like?

Hilo Bay from Waiakea with Mauna Loa erupting in the distance. You can see the lava heading toward Hilo on the right. By Joseph Nawahi, February 1881.
Hilo shoreline.
Hilo wharf, 1880s.
The Lava Flow From Mauna Loa, Sandwich Islands, Harper's Weekly, September 1881.


Rough Sketches

I studied photos of the eruption and maps of Hilo town and began sketching.

Character studies and sketch of Hilo town.
Rough drafts for cover.

Exploring Kipuka Puaulu (Bird Park) Trail at Volcanoes National Park

Kaumana Cave and Princess Ruth

Mauna Loa erupted spectacularly in 1880, illuminating the skies above the town of Hilo. Fiery jets of gas and lava launched thousands of feet skyward. Rivers of pahoehoe, or ropy lava, flowed down the mountainside.

For nine months, the eruption continued. The people of Hilo watched as the forests of Waiakea Uka were consumed, then grew desperate as the lava continued its relentless approach to within one-and-a-half miles of Hilo Bay. 

A day of public prayer was observed. A stone wall was erected to protect the sugar mill. And a moat was dug around the prison to divert the flow.

Only Princess Ruth Ke'elikolani could placate Pele's fury. Arriving in Hilo on August 9, 1881, she approached the lava at Halai Hill with offerings of brandy, 30 red silk scarves and a lock of her hair. That night, she slept at the edge of the lava flow. By the next morning the flow had stopped. Hilo had been spared.

Kaumana Cave, located 5 miles above Hilo, was created during the 1880 eruption. It was formed as the surface of the pahoehoe cooled and hardened, insulating the molten lava within. A portion of the thin crust later collapsed, creating a skylight through which streams of lava could be seen pouring through subterranean passages. As the eruption abated, the channel emptied, leaving behind an extensive lava tube.

Deep in the cave, roots from 'ohia trees dangle from the ceiling. These roots support an extremely delicate ecosystem of cave-dwelling arthropods. 

According to Bishop Museum entomologist Gordon Nishida, cave crickets, millipedes, and wolf spiders are among the creatures specially adapted to Hawaiian lava tubes. Many of these animals are pale, with reduced eyes, and live off the plant and animal matter that fall into the cave. The cave system is very fragile, and these unique creatures are endangered. People trampling through caves and littering the surrounding area can have a severe impact on their survival.


Eyewitnesses to the 1880-1881 Eruption: an Artist's View

I was inspired, too, by the work of Joseph Nawahi, and also the Volcano School paintings of late 19th century artists Charles Furneaux, D. Howard Hitchcock and Jules Tavernier.

Hilo Bay. Joseph Nawahi, 1888.

Natives Viewing the Hilo Flow, May 18, 1881. Oil on canvas paintings by Charles Furneaux, 1881.
Eruption, D.H. Hitchcock.
Volcano at Night, Jules Tavernier, 1880.

Final Illustrations: Bringing it to life

Left: view of Waianuenue Street from the Hilo Wharf, 1890s. Right: Keoki and Nani race to the town pier to greet Princess Luka.
Left: Hilo Wharf, 1880s. Right: the arrival of Princess Luka.

To learn more about True Princess of Hawai'i and to view more of the finished art, visit  https://www.arbordalepublishing.com/bookpage.php?id=TruePrincess.

I hope you enjoy this book as much as I enjoyed illustrating it!

Printable coloring page:




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